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Biography
Dr. Gates’s research explores 20th century Hispanic literature and film and her area interests include post-revolutionary Mexico, women’s literature, modern poetry, and Spanish surrealism. Her theoretical interests include cultural studies, ecocriticism, psychoanalysis, and feminism and gender studies.
While in college, Dr. Gates studied abroad for a semester in Buenos Aires, Argentina, an experience that inspired her to study Latin American literature in graduate school. She has also spent time teaching first grade in rural Honduras.
Her hope for her students is that through literature, film, and first-hand experience, they would make sincere connections with the Spanish and Latin American communities abroad and with the Latinx communities that form an important part of our country. In her free time, she enjoys drinking coffee, reading 19th-century British literature, and spending time with her husband and three children.
Education
University of Virginia
Ph. D., Spanish, 2017
University of Florida
M. A., Spanish, 2011
Hope College
B. A., Spanish and Psychology, 2007
Areas of Expertise
- Mexican Literature
- 20th Century Latin American Literature
- 20th Century Peninsular Literature
- Mexican Film
Professional Affiliations
- Modern Language Association
- Latin American Studies Association
- American Council on the Teaching of Foreign Languages
Presentations
“The Island as Socio-ecosystem in Ana María Matute’s Primera Memoria." Modern Language Association (MLA) Annual Convention, 5 January 2023, San Francisco, CA.
“Decolonizing the Church in Juan Rulfo’s ‘Talpa’ (1948).” Latin American Studies Assocation (LASA) Congress: Polarización socioambiental y rivalidad entre grandes potencias, 7 May 2022, online.
“Nature-endorsing Discourse in Elena Poniatowska’s Hasta no verte Jesús mío.” Latin American Studies Association (LASA) Conference, May 2021, online.
“Danza and the Signifying Process in Rosario Ferré’s Maldito amor (1986)” Latin American Studies Association (LASA) Conference, May 2019, Boston, MA
La tierra es nuestra: revisiones nerudianas a Whitman en ‘Que despierte el leñador’ del Canto General (1950) 28th Annual ALDEEU (Asociación de Profesionales Hispanos en Estados Unidos) Conference, Charlottesville, VA, June 2018
Emilio Fernández and Juan Rulfo: Two Mexican Responses to the Authoritarianism of the PRI
Latin American Studies Association (LASA) Conference, Barcelona, Spain, May 2018
The Subversion of Nature in Mexico City: Buñuel's Los olvidados
Northeast Modern Language Association Annual Convention, Hartford, CT, March 2016
Una identidad indefinible: La representación de Malintzín Tenépal en el Lienzo de Tlaxcala
University of Virginia Interdisciplinary Graduate Student Conference, Department of Spanish, Italian, and Portuguese, Charlottesville, VA, 2012
Courses Taught
- SPAN 103 Accelerated Elementary Spanish
- SPAN 201 Intermediate Spanish
- SPAN 332 Advanced Grammar and Composition
- SPAN 335 Latin American Civilization and Culture
- SPAN 337 Survey of Spanish American Literature
- SPAN 493 Surrealism in Spain and Beyond
- SPAN 493 Mexican Literature
- SPAN 493 Golden Age of Mexican Cinema
Selected Publications
Gates, Stephanie R. “Decolonizing the Church in Juan Rulfo’s ‘Talpa.’” Chasqui: Revista de literatura latinoamericana, 52.1, May 2023, 11-28.
Gates, Stephanie R. "Drawing a Dream: Joaquín Peinado’s Artwork and the Semiotic in José María Hinojosa’s La flor de Californía." Symposium: A Quarterly Journal in Modern Literatures. Vol. 76. No. 4. Routledge, 2022.
Gates, Stephanie. “Homeland Lost: Threats to the Subject-Land Continuum in Emilio Fernández’s María Candelaria (1943).” Journal of the Midwest Modern Language Association, 54.1, 2021, 65-93.
Gates, Stephanie R. "La tierra es nuestra: revisiones nerudianas a Whitman en “Que despierte el Leñador” del Canto general (1950)." Romance Notes, vol. 59 no. 3, 2019, p. 447-458.
Gates, Stephanie. “Danza and the Signifying Process in Rosario Ferré’s Maldito amor.” Latin American Literary Review, 46 (92), 2019
Gates, Stephanie R. "El huésped que me estorba: Conflicting Perceptions of Motherhood In Rosario Castellanos's Oficio de tinieblas." Hispanófila, no. 183, 2018, pp. 285 - 300